On top of this, she even opened her own boutique La Maison Delaunay and collaborated with the Dutch store Metz and Co, and latterly for Liberty.Free People, a specialty women’s clothing brand, is the destination for bohemian fashion that features the latest trends and vintage collections for women who live free through fashion, art, music, and travel. She invented orphism with her husband Robert Delaunay which they developed out of Cubism in the 1910s, and played a central role in the story of modern art in the 20th century. She was the first living woman to have an exhibition at the Louvre and is a prime example of an artist turned fashion designer, who worked with her husband to explore the dynamic power of colour and movement.ĭelaunay worked with costume designers such as Diaghilev, made ‘dress poems’ and set up a textiles workshop. Influenced by the vibrant palettes of the Fauves, Sonia Delaunay was an abstract artist through and through. Sonia Delaunay and her matching decorated Citroen, 1925 / French Photographer/ Bridgeman Images Many of Versace’s collections use delicate fabrics and sinuous cuts, evoking scenes from neo-classical art to romantic art, with models depicted as sirens and mermaids. Returning to his Italian roots, Versace also looked at religious works by the Renaissance painter Botticelli. The influence of Greek mythology was conveyed in Versace’s use of the medusa head as its logo which embodied female power. A glance at medusa would turn one into stone: she stunned people with her domineering look and snakes in her hair which she ended up with, having survived from the loss of a partner through an affair. Along with modern art, Gianni Versace had other sources of inspiration including African tribal and ancient Greek art. Gianni Versace’s Spring 1991 collection featured outfits printed with Andy Warhol‘s brightly coloured, silk-screened portraits of Marilyn Monroe and other famous icons. Left: Cat suit, 1991 (silk) by Gianni Versace, Gianni (1937-97) / Indianapolis Museum of Art, USA Versace – Warhol / Greek Mythology / Botticelli Ultimately, Schiaparelli was distinctive in her activities with the wider intellectual world, her eccentric chic style proving inspirational to later designers including Muccia Prada.ģ. ![]() She was not just concerned with beauty or transient fashion trends, but with art, culture, ideas and innovation. This connection with the growing art world moved Elsa Schiaparelli into a new realm. Right: Elsa Schiaparelli dressed as a Radish, March 24th 1949 Photo © AGIPĮlsa Schiaparelli was a flamboyant Italian fashion designer who made her mark in Paris from the late 1920s to the 1950s. Schiaparelli’s collaborations with artists, who were also her friends, resulted in some of the most renowned works of twentieth-century haute couture.Īn evening coat forming an optical illusion of a vase of roses which transforms into two faces in profile was designed with Jean Cocteau and Schiaparelli’s ‘Lobster Dress’ was a collaboration with Salvador Dali. Left: Woman’s Dress, February 1937 (silk organza & horsehair) by Elsa Schiaparelli, Philadelphia Museum of Art He was a pioneer among designers, for he saw beyond clothing’s physical restraints. His collections explore themes in art, including the Romantic Gothic collection, portraying his love of Scottish history and London, combined with his interest in the Victorian Gothic, or his Romantic Exoticism collection which explores his interests in other cultures such as Japan and China, as depicted in his kimono designs and prints. ![]() After the concept, he would have a complex storyboard with various references from art, film, and music. Passionate about fine art, McQueen started every collection with an idea or a concept for the runway presentation, reminiscent of avant-garde installations and performance art. He was said to be an artist of the romantic tradition. Right: Critics on Costume, Fashions Change (oil on canvas) by John Callcott Horsley, Private Collection © Lawrence Steigrad Fine Arts, New YorkĪhead of the race, Alexander McQueen comes in first place for pushing the boundaries of fashion with his fierce and fragile fashion designs. ![]() Left: Ivory silk organza evening dress with appliqué bodice and panelled skirt embroidered with miniature eagle motifs, by Sarah Burton for Alexander McQueen, Autumn/Winter / Fashion Museum Bath
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